Aspen Arete is a V4 YDS boulder, alpine, 12 ft (4 m) located in Georgetown > Guanella Pass > 7 Mile Boulders > Aspen Boulder. First ascent by ??. Start in a broken seam, and make a couple tough moves to get up and onto the arete. Protection: This ascends the obvious arete on the boulder.
Aspen Arete Sit is a V6- YDS boulder, alpine, 12 ft (4 m) located in Georgetown > Guanella Pass > 7 Mile Boulders > Aspen Boulder. First ascent by unknown. Sit start on a sharp left hand crimp/sidepull and right hand sidepull (both below the roof). Work towards the broken seam start of Aspen Arete, and continue up the arete. Protection: 1 pad.
Aspen Busy is a V4+ YDS boulder, alpine, 15 ft (5 m) located in Georgetown > Guanella Pass > 7 Mile Boulders > Aspen Boulder. First ascent by Chad Cowan?. Aspen Busy is a decent climb which adds moves to the arete. Itcould possibly be extended further left. It is a good climb if you have some people just stepping into the moderate arena. There are decent moves to practice. Protection: Start on the obvious jug at chest height that's about 6 feet left of the arete. Make some awkward moves low to gain the broken seam around the aerie, make some difficult bumps, and then cruise up the arete.
60 miles of free cross country ski and snowshoe trails between Aspen, Snowmass, and Basalt Colorado.
60 miles of free cross country ski and snowshoe trails between Aspen, Snowmass, and Basalt Colorado.
Discover Aspen Highlands, one of the premier four mountains of Aspen Snowmass. Explore the Highland Bowl, Cloud Nine bistro, and more to plan your visit.
Discover Aspen Highlands, one of the premier four mountains of Aspen Snowmass. Explore the Highland Bowl, Cloud Nine bistro, and more to plan your visit.
The Chris Klug Foundation is a proud partner of Realbuzz and enjoys offering runners the opportunity to take on marathons and half marathons around the world. CKF runners have the opportunity to take on marathons such as the Tokyo, Berlin, and Miami marathons, among others. The Chris Klug Foundation uses the funds raised to make a difference and eliminate the wait for a transplant. Founded in October 2003 by Olympic Bronze Medalist and liver transplant recipient Chris Klug, CKF aims to promote lifesaving organ, eye, and tissue donation and work to improve the quality of life for those touched by transplantation. CKF uses the stories of organ donors, transplant candidates, and transplant recipients to inspire, alongside events, school courses, and webinars to educate. All with the end goal of encouraging individuals to give the gift of life and register as organ donors.
The Chris Klug Foundation is a proud partner of Realbuzz and enjoys offering runners the opportunity to take on marathons and half marathons around the world. CKF runners have the opportunity to take on marathons such as the Tokyo, Berlin, and Miami marathons, among others. The Chris Klug Foundation uses the funds raised to make a difference and eliminate the wait for a transplant. Founded in October 2003 by Olympic Bronze Medalist and liver transplant recipient Chris Klug, CKF aims to promote lifesaving organ, eye, and tissue donation and work to improve the quality of life for those touched by transplantation. CKF uses the stories of organ donors, transplant candidates, and transplant recipients to inspire, alongside events, school courses, and webinars to educate. All with the end goal of encouraging individuals to give the gift of life and register as organ donors.
Ajax Adventure Camp is a point of interest located in Aspen, CO.
Virginian, Keller Williams, released his first album in 1994, FREEK, and has since given each of his albums a single syllable title: BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, LIVE, ODD, THIEF, KIDS, BASS, PICK, FUNK, VAPE, SYNC, RAW, SANS, ADD, SPEED and CELL. Each title serves as a concise summation of the concept guiding each project. Keller’s albums reflect his pursuit to create music that sounds like nothing else. Un-beholden to conventionalism, he seamlessly crosses genre boundaries. The end product is music that encompasses rock, jazz, funk and bluegrass, and always keeps the audience on their feet. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs, while accompanying himself on acoustic guitar, bass, guitar synthesizer and drum samples; a technique called live phrase sampling or “looping”. The end result often leans toward a hybrid of alternative folk and groovy electronica, a genre Keller jokingly calls “acoustic dance music” or ADM.” Keller's constant evolution has led to numerous band projects as well; Keller & The Keels, Grateful Grass, KWahtro, Keller and the Travelin’ McCourys, Grateful Gospel and More Than A Little to name a few. Keller can be found playing clubs and festivals around the U.S. with these projects throughout the year.
EcoSteam Detailing Aspen (ST. REGIS HOTEL) is a car wash located in Aspen, CO.
Erik Berg - Engel & Völkers Aspen Luxury Real Estate Agents is a real estate agency located in Aspen, CO.
Five Star Destinations is a real estate agency located in Aspen, CO.
Hunter-Fryingpan Wilderness is a tourist attraction located in Aspen, CO.
Music lover and performer https://www.kellerwilliams.net/
Law Offices of Edson & Maytin is a lawyer located in Aspen, CO.
Louis The Child approach their music with a mixture of love and curiosity. The Chicago-bred duo’s emotional electronic music, with its moving melodies and warm sonics, is meant for feeling part of something bigger than oneself. Heartfelt songwriting about love and living in the now, combined with wildly diverse soundscapes pulling from the past and future of dance music, makes their music feel timeless yet adventurous—flowing wherever inspiration takes them. That spontaneity informs Louis The Child (Freddy Kennett and Robby Hauldren) in everything they do, from their everything-goes Playground Radio show to the more personal clothes and paintings they make at home. Most recently, it has led them to their latest project, Black Marble, an instrumental tape exploring their clubbier sensibilities. “We’re always creating a million different things,” says Kennett. Louis The Child describe the sound of Black Marble as “really dark and grimy.” Opener “Black Marble Intro” sets the tone, with clanging metallic percussion and eerie chords. The 17-track release functions less as a collection of singles and more as a seamless DJ set meant to be enjoyed in a near-pitch-black room, where the sound system is banging and sweat is dripping down the walls. The tape will be accompanied by a visual inspired by film noir and dance choreography. “I feel like watching a dancer is a fun way to accompany the music instead of crazy visuals,” Kennett says. “It’s more of a human experience that way.” Louis The Child broke out in 2015 with their debut single, “It’s Strange” featuring K.Flay, a chilled slice of electronic pop which earned major co-signs from pop royalty Taylor Swift and Lorde. After releasing their 2020 debut album, Here for Now—a vulnerable body of work about appreciating loved ones while they’re here—Louis The Child cycled back to the sounds of dance music circa 2010-2012 on their Euphoria EP (2021), a bundle of pastel-tinted complextro made to celebrate the first festivals after lockdown. The To Believe EP (2022) further flirted with more club-friendly styles while maintaining their classic drops. For every released song, many others—scrapped ideas and purely-for-the-fun-of-it sketches—were tucked away in laptop folders, presumably never to see the light of day. Rather than keep them there, Louis The Child elected instead to release the demos in mix format as a full project: Candy. The first beat tape, released in 2017, unveiled woozy hip-hop, distorted steel-drum loops, and beyond—bite-sized pieces rich with texture and color. Candy II (2020) went deeper, patching together hip-hop-indebted, hard-hitting bass music with unruly house and fuzzy acid. For both releases, Kennett and Hauldren helped create psychedelic neon visuals compiled from videos they took on their iPhones of unfurling landscapes. Candy presented an avenue for Louis The Child to show off their extensive range, but its instrumental nature also presented a challenge: “You really gotta make the sounds stand out and be interesting the whole way through,” says Kennett. “When you’re producing a song that someone’s singing over, you can make the production simple at times. But when it’s just production, it needs to be exciting. Things need to be happening.” Louis The Child started working on Black Marble while making Euphoria. “We were like, we could do a Candy III, but it just didn’t interest us to do a third of something we’ve already done,” Hauldren says. From Candy’s bright aesthetic, the duo ran in the opposite direction: black and white. Despite Black Marble’s stark contrast and darker, heavier sounds, Louis The Child are still reaching for music that sounds fun—think wriggling, ravey synth stabs and tropical interludes—and that ultimately fosters a communal bond. “I just want people to feel like it's music they can get down to,” Hauldren says. “In the end, I want them to have whatever personal connection feels best to them.” Like Euphoria, Black Marble pushes at the boundaries of festival-ready rave music, combining yipping moombahton and grinding electro house with big-room techno, classic 303 acid basslines, and LTC’s classic melodies and chord breakdowns—never staying in one place for too long. It’s the kind of variety that makes a good DJ set, yet it’s also reflective of the duo’s creative process. They worked on Black Marble on and off between other projects for a year and a half, letting in various influences as they came. “It’s a lot of trial and error and letting the project evolve over time,” says Hauldren. “Your subconscious does work for you,” Kennett adds. Through Black Marble, Louis The Child reaffirm their belief that no matter what they make, their music will always be a reflection of their wide-ranging interests. What they create next is simply up to how far their curiosity can take them. “It’s exciting to keep trying new things with a different approach,” Kennett says. “I see us continuing to make these projects, and I think the goal is just to enjoy every step of the way.”
An Intimate Acoustic Evening of Stories & Songs Three-time GRAMMY® winner TRISHA YEARWOOD returns to the stage to celebrate the release of her acclaimed new album, The Mirror. She’s joined by friends and fellow songwriters Leslie Satcher and Bridgette Tatum for an intimate acoustic evening of stories and songs. With her powerful voice and heartfelt storytelling, Trisha brings The Mirror to life alongside the timeless hits that have defined her career.
Originally from Western Canada, Zac has had been a performing vocalist/guitarist for over twenty-five years, having played extensively throughout British Columbia, Colorado and Grand Cayman. As a fifteen-year member of local rock/alternative band Echo Monday, Zac has played at Belly Up Aspen and Strawberry Days as well as at local venues and restaurants throughout the valley. His solo sets involve music that spans multiple generations and genres, including rock, alternative, contemporary, pop, and even a little country, with an intimate flair.
White River Overland is a car repair located in Aspen, CO.