Everybody Loves Raymond creator Phil Rosenthal returns to Aspen for a seminar on his new LA diner, Max and Helen's, co-founded with Nancy Silverton.

The coffee at the St. Regis is hot. The line for Phil Rosenthal’s seminar wraps around the lobby, past the concierge desk, and out into the crisp Aspen air where tourists in Patagonia vests check their phones and locals check their watches. It is Saturday morning. The smell of bacon grease and ambition hangs heavy in the atrium.
This weekend, the man who taught America to laugh at suburban dysfunction and then travel the world eating it is back in the valley. Rosenthal, host of the streaming hit Somebody Feed Phil and co-creator of Everybody Loves Raymond, is returning to the Food & Wine Classic. But he isn’t just a guest speaker anymore. He’s a proprietor.
He’s here to sell us on Max and Helen’s Diner, the white-hot Los Angeles eatery he co-founded with his daughter Lilly, son-in-law chef Mason Royal, and Nancy Silverton. Yes, that Nancy Silverton. The founding quartet is set to deliver a seminar titled “Short Orders, Big Flavor: Recipes from Max & Helen’s, LA’s Hottest Diner.” And yes, there will be a line.
Picture this: a crowd of hungry Aspenites, clutching their seminar tickets like gold bullion, waiting for a chance to hear how a former sitcom writer ended up running a diner that turns to gold instantly. People are lining up for hours. It’s not just about the food, though the food is apparently excellent. It’s about the family.
I hadn’t watched Somebody Feed Phil until recently. I was tasked with writing about Rosenthal and his new diner, so I binge-dipped into a deep well of YouTube clips. I saw him in New York City, eyes wide, devouring a French Dip sandwich at Salt Hank’s. The accents were thick. The beef au jus was thicker. It transported me back to my own religious experience at Al’s Beef in Chicago, right before a Grateful Dead concert. When I told Rosenthal this over the phone, he chuckled. “I’ve had that experience too!”
He gets it. He understands the visceral pull of a perfect meal. He saw me watching him watch the food.
There’s a segment from Cork, Ireland, where he’s eating tempura-fried seaweed for the first time in a small Japanese restaurant called Ichigo Ichie. He’s astonished. Delighted. The show subtly reminds you to keep your mind and mouth open. His culinary wanderlust is infectious. It makes you want to yell, “Honey, check our passports and gas up the jet. We’re going to Ireland!” (I wish.)
But back to Aspen. Back to the line.
Rosenthal is ecstatic about his return. He genuinely appreciates his good fortune. “Listen, you’re never going to find a luckier guy than me. That’s how I feel,” he told me, enthusiasm radiating through the phone line. “First of all, to have had the life that I’ve gotten to have. And then to be welcomed around the world because of the show, to have the show and all these things. And especially to have my family, who I get to work with. I mean, it doesn’t get any better.”
I floated the concept of his orbit being a culinary version of the ’70s TV show All in the Family. That’s right. The Rosenthals are the new Archie Bunker, but instead of pickles and politics, they’re serving up diner fare and global flavors.
The seminar isn’t just about recipes. It’s about the machine. The family business. The way Silverton’s prestige meets Rosenthal’s pop-culture charm. It’s about how a guy who wrote jokes for Ray Romano can now command a room full of foodies with a story about seaweed.
And that matters because it changes how we see these festivals. It’s not just about eating expensive things in expensive places. It’s about the people behind the plates. It’s about the daughter who’s the hostess extraordinaire. The son-in-law who’s the chef. The legend who’s the partner.
The line outside the St. Regis grows longer. The smell of coffee mixes with the scent of expensive perfume and anticipation. Rosenthal is in there, ready to talk about short orders and big flavor. He’s lucky. We’re hungry. And the diner is open.





